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Cornell Woolrich and radio noir
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posted on 2023-06-10, 05:42 authored by Frank KrutnikOf all the writers to transition from pulp magazines to noir movies, Cornell Woolrich was by far the most prolific and most influential. From 1940 to 1954, the heyday of ‘classic’ film noir, Hollywood based not only 18 films on Woolrich properties but also over 70 radio dramas and the beginnings of an equally abundant crop of television adaptations that would continue into the early 1960s. Drawing on a range of critical and archival materials, including audio recordings, this article assesses Woolrich’s contribution to radio drama in the ‘classic noir’ era of the 1940s and early 1950s as well as his broader significance to what David Bordwell has identified as the period’s ‘Murder Culture’. Besides exploring material based on Woolrich’s short stories and novels, I also consider more general propositions about ‘radio noir’ and the ways in which contemporaneous radio dramas intersected in fascinating and diverse ways with cinematic noir. The article concludes with a detailed case study of several radio adaptations of Woolrich’s 1936 short story “The Night Reveals”, one of the most popular selections on the acclaimed CBS anthology series Suspense (1942-62).
History
Publication status
- Published
File Version
- Accepted version
Journal
Crime Fiction StudiesISSN
2517-7982Publisher
Edinburgh University PressExternal DOI
Issue
1Volume
4Page range
27-44Book title
Cornell Woolrich and Transmedia NoirISBN
9781399517652Department affiliated with
- Media and Film Publications
Full text available
- No
Peer reviewed?
- Yes
Editors
Rob KingLegacy Posted Date
2022-12-15First Compliant Deposit (FCD) Date
2022-12-15Usage metrics
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