http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png http://sro.sussex.ac.uk/ Sun, 12 Nov 2023 16:44:18 +0000 Sun, 12 Nov 2023 16:44:18 +0000 en Wed, 05 Jun 2019 10:57:21 +0100 http://sro.sussex.ac.uk/id/eprint/83359/ http://sro.sussex.ac.uk/id/eprint/83359/ Fowler, Benjamin (2020) The meaning of peeling paint (notes on a Mitchell mise-en-scène). Contemporary Theatre Review, 30 (2). pp. 151-167. ISSN 1048-6801 Mon, 16 Jan 2017 13:11:18 +0000 http://sro.sussex.ac.uk/id/eprint/66221/ http://sro.sussex.ac.uk/id/eprint/66221/ Price, Jason (2017) [Review] L.M. Bogad (2016) Tactical performance: the theory and practice of serious play. Contemporary Theatre Review, 27 (2). pp. 283-284. ISSN 1048-6801 Wed, 19 Oct 2016 09:15:56 +0100 http://sro.sussex.ac.uk/id/eprint/64873/ http://sro.sussex.ac.uk/id/eprint/64873/ Butt, Gavin (2012) The common turn in performance. Contemporary Theatre Review, 22 (1). pp. 46-61. ISSN 1048-6801 Tue, 18 Oct 2016 11:23:09 +0100 http://sro.sussex.ac.uk/id/eprint/64849/ http://sro.sussex.ac.uk/id/eprint/64849/ Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2014) Performance matters: Gavin Butt, Lois Keidan and Adrian Heathfield in conversation. Contemporary Theatre Review, 24 (1). pp. 102-114. ISSN 1048-6801 Mon, 17 Oct 2016 15:40:12 +0100 http://sro.sussex.ac.uk/id/eprint/59537/ http://sro.sussex.ac.uk/id/eprint/59537/ McEvoy, William and McHugh, Ian (2016) Rewriting the script: the impact of the development and rehearsal process on Ian McHugh’s play 'How to Curse'. Contemporary Theatre Review, 26 (4). pp. 496-505. ISSN 1048-6801 Tue, 12 Jul 2016 14:16:07 +0100 http://sro.sussex.ac.uk/id/eprint/61989/ http://sro.sussex.ac.uk/id/eprint/61989/ Fowler, Benjamin (2016) 'Draining the English Channel': The European Revolution in three kingdoms & three keynotes (by Simon Stephens, David Lan & Edward Bond). Contemporary Theatre Review, 26 (3). pp. 328-336. ISSN 1048-6801 Tue, 12 Jan 2016 15:24:56 +0000 http://sro.sussex.ac.uk/id/eprint/59139/ http://sro.sussex.ac.uk/id/eprint/59139/ Price, Jason (2016) Fusing the serious and the ridiculous: an interview with Brown Council (Sydney, Australia). Contemporary Theatre Review, 26 (4). pp. 506-512. ISSN 1048-6801 Thu, 19 Feb 2015 10:07:27 +0000 http://sro.sussex.ac.uk/id/eprint/52986/ http://sro.sussex.ac.uk/id/eprint/52986/ Barnett, David (2015) Open access. Contemporary Theatre Review, 25 (1). pp. 123-127. ISSN 1048-6801 Mon, 18 Mar 2013 12:18:26 +0000 http://sro.sussex.ac.uk/id/eprint/43449/ http://sro.sussex.ac.uk/id/eprint/43449/ Price, Jason (2013) BLINK Margate: urban renewal, place and performance. Contemporary Theatre Review, 23 (3). pp. 411-420. ISSN 1048-6801 Mon, 18 Mar 2013 08:19:35 +0000 http://sro.sussex.ac.uk/id/eprint/42960/ http://sro.sussex.ac.uk/id/eprint/42960/ Till, Nicholas (2013) Stefano Gervasoni's Pas si: staging a music theatre work based on a text by Samuel Beckett. Contemporary Theatre Review, 23 (2). pp. 220-232. ISSN 1048-6801 Mon, 20 Feb 2012 16:55:01 +0000 http://sro.sussex.ac.uk/id/eprint/37039/ http://sro.sussex.ac.uk/id/eprint/37039/ Ilter, Seda (2011) A process of transformation: Tim Crouch on My Arm. Contemporary Theatre Review, 21 (4). 394- 404. ISSN 1048-6801 Mon, 06 Feb 2012 21:23:21 +0000 http://sro.sussex.ac.uk/id/eprint/31035/ http://sro.sussex.ac.uk/id/eprint/31035/ Barnett, David (2010) ‘I have to change myself instead of interpreting myself’: Heiner Müller as post-Brechtian director. Contemporary Theatre Review, 20 (1). pp. 6-20. ISSN 1048-6801 Mon, 06 Feb 2012 20:27:29 +0000 http://sro.sussex.ac.uk/id/eprint/25981/ http://sro.sussex.ac.uk/id/eprint/25981/ Barnett, David (2004) The simulation of a reception. Or: Rainer Werner Fassbinder's 'Der Müll, die Stadt und Tod' in Germany, Holland, and Israel. Contemporary Theatre Review, 14 (2). pp. 29-40. ISSN 1026-7166 Mon, 06 Feb 2012 19:48:08 +0000 http://sro.sussex.ac.uk/id/eprint/22251/ http://sro.sussex.ac.uk/id/eprint/22251/ Barnett, David (2008) The problems and pleasures of running a theatre in Berlin: the changing role of the Intendant. Contemporary Theatre Review, 18 (1). pp. 80-83. ISSN 1048-6801 Mon, 06 Feb 2012 19:43:50 +0000 http://sro.sussex.ac.uk/id/eprint/21930/ http://sro.sussex.ac.uk/id/eprint/21930/ Till, Nicholas (2005) On the Difficulty of Saying 'We': The Unheimliche Heimat in the Music Theatre of Christoph Marthaler. Contemporary Theatre Review, 15 (2). pp. 219-233. ISSN 1477-2264 Mon, 06 Feb 2012 18:43:46 +0000 http://sro.sussex.ac.uk/id/eprint/17971/ http://sro.sussex.ac.uk/id/eprint/17971/ Till, Nicholas (2004) 'I don't mind if something's operatic, just as long as its not opera: A Critical Practice for New Opera and Music Theatre. Contemporary Theatre Review, 14 (1). 15-24.. ISSN 1477-2264 Mon, 06 Feb 2012 18:26:25 +0000 http://sro.sussex.ac.uk/id/eprint/16331/ http://sro.sussex.ac.uk/id/eprint/16331/ Barnett, David (2006) Political theatre in a shrinking world: René Pollesch's postdramatic practices on paper and on stage. Contemporary Theatre Review, 16 (1). pp. 31-40. ISSN 1048-6801