http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png http://sro.sussex.ac.uk/ Mon, 27 Nov 2023 07:14:00 +0000 Mon, 27 Nov 2023 07:14:00 +0000 en Fri, 14 Jan 2022 07:50:46 +0000 http://sro.sussex.ac.uk/id/eprint/103805/ http://sro.sussex.ac.uk/id/eprint/103805/ Lebow, Alisa (2003) Memory once removed: indirect memory and transitive autobiography in Chantai Akerman's D'Est. Camera Obscura, 18 (1). a52 35-83. ISSN 0270-5346 Wed, 15 Nov 2017 14:55:40 +0000 http://sro.sussex.ac.uk/id/eprint/71271/ http://sro.sussex.ac.uk/id/eprint/71271/ Lebow, Alisa (2003) Memory once-removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est. Camera Obscura, 18 (1). pp. 34-83. ISSN 0270-5346 Wed, 15 Nov 2017 14:14:44 +0000 http://sro.sussex.ac.uk/id/eprint/71267/ http://sro.sussex.ac.uk/id/eprint/71267/ Lebow, Alisa (2007) Stratigic sentimentality: nostalgia and the work of Eleanor Antin. Camera Obscura, 22 (3). pp. 128-167. ISSN 0270-5346 Mon, 06 Feb 2012 20:34:57 +0000 http://sro.sussex.ac.uk/id/eprint/26751/ http://sro.sussex.ac.uk/id/eprint/26751/ Lebeau, Vicky (1991) "You're my friend": 'River's Edge' and social spectatorship. Camera Obscura, 9 (1-2). pp. 251-273. ISSN 0270-5346 Mon, 06 Feb 2012 19:34:59 +0000 http://sro.sussex.ac.uk/id/eprint/21363/ http://sro.sussex.ac.uk/id/eprint/21363/ Galt, Rosalind (2009) Pretty: film theory, aesthetics, and the history of the troublesome image. Camera Obscura, 24 (2). pp. 1-41. ISSN 0270-5346