http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png http://sro.sussex.ac.uk/ Sun, 26 Nov 2023 19:21:05 +0000 Sun, 26 Nov 2023 19:21:05 +0000 en Fri, 07 Sep 2018 14:59:16 +0100 http://sro.sussex.ac.uk/id/eprint/78552/ http://sro.sussex.ac.uk/id/eprint/78552/ Kiefer, Chris (2014) Musical instrument mapping design with Echo State Network. New Interaces for Musical Expression, Goldsmiths, London, June 2014. Published in: Proceedings of the International Conference on New Interfaces for Musical Expression. 293-298. ISSN 2220-4806 Mon, 21 Nov 2016 09:41:54 +0000 http://sro.sussex.ac.uk/id/eprint/65258/ http://sro.sussex.ac.uk/id/eprint/65258/ Tierney, Dolores (2014) Transnational political horror in Cronos (1991), El Espinazo del Diablo (2001) and El Laberinto del Fauno (2006). In: Tierney, Dolores, Davies, Ann and Shaw, Deborah (eds.) The transnational fantasies of Guillermo del Toro. Palgrave Macmillan, New York, pp. 161-182. ISBN 9781137407832 Mon, 14 Mar 2016 10:40:55 +0000 http://sro.sussex.ac.uk/id/eprint/60030/ http://sro.sussex.ac.uk/id/eprint/60030/ Magnusson, Thor (2014) Algorithmic notation: scores and timelines. In: Di Stanze Music Festival, November 1st, 2014, Leeds. Wed, 02 Mar 2016 12:43:47 +0000 http://sro.sussex.ac.uk/id/eprint/59801/ http://sro.sussex.ac.uk/id/eprint/59801/ Hopkins, Tim (2014) Occupation. Tim Hopkins Works. Wed, 02 Mar 2016 12:40:10 +0000 http://sro.sussex.ac.uk/id/eprint/59800/ http://sro.sussex.ac.uk/id/eprint/59800/ Hopkins, Tim (2014) Song two - The sleeping-mat ballad. [Composition] Wed, 13 May 2015 08:00:29 +0100 http://sro.sussex.ac.uk/id/eprint/52759/ http://sro.sussex.ac.uk/id/eprint/52759/ Elliott, Richard (2014) 'Time and distance are no object': holiday records, representation and the nostalgia gap. Volume!, 11 (1). pp. 131-143. ISSN 2117-4148 Fri, 13 Feb 2015 13:01:52 +0000 http://sro.sussex.ac.uk/id/eprint/52918/ http://sro.sussex.ac.uk/id/eprint/52918/ Margaretten, Mark and Gaber, Ivor (2014) The crisis in public communication and the pursuit of authenticity: an analysis of the Twitter feeds of Scottish MPs 2008–2010. Parliamentary Affairs, 67 (2). pp. 328-350. ISSN 0031-2290 Mon, 12 Jan 2015 07:43:07 +0000 http://sro.sussex.ac.uk/id/eprint/52031/ http://sro.sussex.ac.uk/id/eprint/52031/ Till, Nicholas (2014) [Review] Rosamund Bartlett, Sarah Daswell (eds.) (2012) Victory over the sun: the world's first futurist opera. Music and Letters, 95 (1). pp. 116-229. ISSN 0027-4224 Mon, 05 Jan 2015 07:54:42 +0000 http://sro.sussex.ac.uk/id/eprint/51874/ http://sro.sussex.ac.uk/id/eprint/51874/ Till, Nicholas (2014) [Review] Mauro P. Calcagno (2012) From madrigal to opera: Monteverdi’s staging of the self. Renaissance Quarterly, 67 (3). pp. 1053-1054. ISSN 0034-4338 Thu, 04 Dec 2014 15:32:32 +0000 http://sro.sussex.ac.uk/id/eprint/51592/ http://sro.sussex.ac.uk/id/eprint/51592/ Elliott, Richard (2014) ‘You can't just say “words”’: literature and nonsense in the work of Robert Wyatt. In: Litpop: writing and popular music. Ashgate, Farnham, pp. 49-62. ISBN 9781472410979 Wed, 15 Oct 2014 09:56:42 +0100 http://sro.sussex.ac.uk/id/eprint/49139/ http://sro.sussex.ac.uk/id/eprint/49139/ Hughes, Ed (2014) Against that time: three songs to sonnets by Shakespeare. [Composition] Tue, 30 Sep 2014 08:31:06 +0100 http://sro.sussex.ac.uk/id/eprint/50413/ http://sro.sussex.ac.uk/id/eprint/50413/ Elliott, Richard (2014) The choreography of longing: songs, screens and space in Carlos Saura’s 'Fados'. Quaderns de Cine, 9. pp. 71-78. ISSN 1888-4571 Mon, 08 Sep 2014 10:28:36 +0100 http://sro.sussex.ac.uk/id/eprint/49749/ http://sro.sussex.ac.uk/id/eprint/49749/ Magnusson, Thor (2014) Scoring with code: composing with algorithmic notation. Organised Sound, 19 (3). pp. 268-275. ISSN 1355-7718 Wed, 27 Aug 2014 05:38:19 +0100 http://sro.sussex.ac.uk/id/eprint/49075/ http://sro.sussex.ac.uk/id/eprint/49075/ Baxter, Hannah (2014) The effect of Stravinsky’s ballets on the role of the conductor. Doctoral thesis (PhD), University of Sussex. Tue, 08 Jul 2014 09:14:18 +0100 http://sro.sussex.ac.uk/id/eprint/49220/ http://sro.sussex.ac.uk/id/eprint/49220/ Magnusson, Thor (2014) Improvising with the threnoscope: integrating code, hardware, GUI, network, and graphic scores. NIME 2014 (New Interfaces for Musical Expression), Goldsmiths, University of London, Jun 30-Jul 4, 2014. Published in: Caramiaux, Baptiste, Tahiroğlu, Koray, Fiebrink, Rebecca and Tanaka, Atau, (eds.) Proceedings of the Internation Conference on New Interfaces for Musical Expression. Goldsmiths University of London, London. ISSN 2220-4792 ISBN 9781906897291 Fri, 20 Jun 2014 10:04:07 +0100 http://sro.sussex.ac.uk/id/eprint/49025/ http://sro.sussex.ac.uk/id/eprint/49025/ Norman, Sally-Jane (2014) Grappling with movement models: performing arts and slippery contexts. In: MOCO '14: Proceedings of the 2014 International Workshop on Movement and Computing. ACM, New York, NY, USA, pp. 136-141. ISBN 9781450328142 Tue, 10 Jun 2014 09:18:10 +0100 http://sro.sussex.ac.uk/id/eprint/48416/ http://sro.sussex.ac.uk/id/eprint/48416/ Fasianos, Epameinondas (2014) The exploration of a triadic model of contest-complementation-conformance over innovative musical and visual forms of expression. Masters thesis (MPhil), University of Sussex. Tue, 04 Mar 2014 15:00:35 +0000 http://sro.sussex.ac.uk/id/eprint/47451/ http://sro.sussex.ac.uk/id/eprint/47451/ Taylor, Philip John (2014) Commentary on the following three compositions: Jovia, Quartet for strings, Five concertantes. Masters thesis (MPhil), University of Sussex. Mon, 18 Nov 2013 14:51:08 +0000 http://sro.sussex.ac.uk/id/eprint/47063/ http://sro.sussex.ac.uk/id/eprint/47063/ Magnusson, Thor (2014) From a music industry to sound industries. In: Carvalhais, Miguel and Tudela, Pedro (eds.) Mono #2: cochlear poetics: writings on music and sound arts. Research Institute in Art, Design and Society (i2ADS), Porto, pp. 71-78. ISBN 9789899874503 Mon, 18 Nov 2013 08:35:03 +0000 http://sro.sussex.ac.uk/id/eprint/47039/ http://sro.sussex.ac.uk/id/eprint/47039/ Magnusson, Thor (2014) Herding cats: observing live coding in the wild. Computer Music Journal, 38 (1). pp. 8-16. ISSN 0148-9267