http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png http://sro.sussex.ac.uk/ Mon, 20 Nov 2023 16:35:49 +0000 Mon, 20 Nov 2023 16:35:49 +0000 en Fri, 01 Mar 2013 14:35:03 +0000 http://sro.sussex.ac.uk/id/eprint/38914/ http://sro.sussex.ac.uk/id/eprint/38914/ Galt, Rosalind (2013) The prettiness of Italian cinema. In: Bayman, Louis and Rigoletto, Sergio (eds.) Popular Italian cinema. Palgrave Macmillan, Houndmills. ISBN 9780230300163 Wed, 13 Feb 2013 12:30:42 +0000 http://sro.sussex.ac.uk/id/eprint/20996/ http://sro.sussex.ac.uk/id/eprint/20996/ Galt, Rosalind (2012) Brash... indecent... libertine: Derek Jarman's queer colours. In: Brown, Simon, Street, Sarah and Watkins, Liz L (eds.) Colour and the moving image: history, theory, aesthetics, archive. AFI film readers . Routledge, London. ISBN 9780415892636 Wed, 28 Nov 2012 14:40:55 +0000 http://sro.sussex.ac.uk/id/eprint/23954/ http://sro.sussex.ac.uk/id/eprint/23954/ Galt, Rosalind (2011) On L'Avventura and the picturesque. In: Rascaroli, Laura and Rhodes, John David (eds.) Antonioni: centenary essays. British Film Institute, London. ISBN 9781844573851 Tue, 01 May 2012 13:56:21 +0100 http://sro.sussex.ac.uk/id/eprint/38913/ http://sro.sussex.ac.uk/id/eprint/38913/ Galt, Rosalind (2011) On L'avventura and the picturesque. In: Rascaroli, Laura and Rhodes, John David (eds.) Antonioni: Centenary Essays. Palgrave Macmillan, New York, pp. 134-153. ISBN 978-1-84457-384-4 Tue, 01 May 2012 13:33:16 +0100 http://sro.sussex.ac.uk/id/eprint/38907/ http://sro.sussex.ac.uk/id/eprint/38907/ Galt, Rosalind (2012) Jolie laide: Fassbinder, anti-semitism, and the Jewish image. In: Peucker, Brigitte (ed.) A companion to Rainer Werner Fassbinder. Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, Chichester, pp. 485-501. ISBN 9781405191630 Mon, 06 Feb 2012 21:11:18 +0000 http://sro.sussex.ac.uk/id/eprint/30048/ http://sro.sussex.ac.uk/id/eprint/30048/ Galt, Rosalind (2007) Missed encounters: reading, catalanitat, the Barcelona School. Screen, 48 (2). pp. 193-210. ISSN 0036-9546 Mon, 06 Feb 2012 21:10:01 +0000 http://sro.sussex.ac.uk/id/eprint/29904/ http://sro.sussex.ac.uk/id/eprint/29904/ Galt, Rosalind (2002) Italy's landscapes of loss: historical mourning and the dialectical image in 'Cinema Paradiso', 'Mediterraneo' and 'Il Postino'. Screen, 43 (2). pp. 158-173. ISSN 0036-9543 Mon, 06 Feb 2012 21:00:11 +0000 http://sro.sussex.ac.uk/id/eprint/29057/ http://sro.sussex.ac.uk/id/eprint/29057/ Galt, Rosalind and Schoonover, Karl (2010) Global art cinema: new theories and histories. Oxford University Press, Oxford. ISBN 9780195385632 Mon, 06 Feb 2012 20:56:56 +0000 http://sro.sussex.ac.uk/id/eprint/28803/ http://sro.sussex.ac.uk/id/eprint/28803/ Galt, Rosalind (2008) The obviousness of cinema. World Picture, 2. ISSN 1938-1700 Mon, 06 Feb 2012 20:37:59 +0000 http://sro.sussex.ac.uk/id/eprint/27099/ http://sro.sussex.ac.uk/id/eprint/27099/ Galt, Rosalind (2010) Impossible narratives: the Barcelona School and the European avant-gardes. Hispanic Review, 78 (4). pp. 491-511. ISSN 0018-2176 Mon, 06 Feb 2012 20:27:52 +0000 http://sro.sussex.ac.uk/id/eprint/26008/ http://sro.sussex.ac.uk/id/eprint/26008/ Galt, Rosalind (2005) Back projection: visualizing past and present Europe in 'Zentropa'. Cinema Journal, 45 (1). pp. 3-21. ISSN 0009-7101 Mon, 06 Feb 2012 20:13:59 +0000 http://sro.sussex.ac.uk/id/eprint/24839/ http://sro.sussex.ac.uk/id/eprint/24839/ Galt, Rosalind (2006) The new European cinema: redrawing the map. Columbia University Press, New York. ISBN 9780231137171 Mon, 06 Feb 2012 20:03:17 +0000 http://sro.sussex.ac.uk/id/eprint/23762/ http://sro.sussex.ac.uk/id/eprint/23762/ Galt, Rosalind (2006) "It's so cold in Alaska": evoking exploration between Bazin and 'The Forbidden Quest'. Discourse, 28 (1). pp. 53-71. ISSN 1522-5321 Mon, 06 Feb 2012 20:00:58 +0000 http://sro.sussex.ac.uk/id/eprint/23528/ http://sro.sussex.ac.uk/id/eprint/23528/ Galt, Rosalind (2011) Pretty: film and the decorative image. Columbia University Press, New York. ISBN 9780231153478 Mon, 06 Feb 2012 19:57:06 +0000 http://sro.sussex.ac.uk/id/eprint/23161/ http://sro.sussex.ac.uk/id/eprint/23161/ Galt, Rosalind (2008) Between the ornament and the corpse: Adolf Loos and classical film theory. In: Trifonova, T (ed.) European film theory. Routledge, London, pp. 195-210. ISBN 9780415960434 Mon, 06 Feb 2012 19:54:37 +0000 http://sro.sussex.ac.uk/id/eprint/22899/ http://sro.sussex.ac.uk/id/eprint/22899/ Galt, Rosalind (2011) Doing away with words: synaesthetic dislocations in Okinawa and Hong Kong. In: Rhodes, John David and Gorfinkel, Elena (eds.) Taking place: location and the moving image. University of Minnesota Press, Minneapolis, pp. 277-298. ISBN 9780816665167 Mon, 06 Feb 2012 19:34:59 +0000 http://sro.sussex.ac.uk/id/eprint/21363/ http://sro.sussex.ac.uk/id/eprint/21363/ Galt, Rosalind (2009) Pretty: film theory, aesthetics, and the history of the troublesome image. Camera Obscura, 24 (2). pp. 1-41. ISSN 0270-5346 Mon, 06 Feb 2012 18:54:10 +0000 http://sro.sussex.ac.uk/id/eprint/18842/ http://sro.sussex.ac.uk/id/eprint/18842/ Galt, Rosalind (2006) Mapping Catalonia in 1967: the Barcelona School in global context. Senses of Cinema (41). pp. 1-15. ISSN 1443-4059 Mon, 06 Feb 2012 18:50:35 +0000 http://sro.sussex.ac.uk/id/eprint/18575/ http://sro.sussex.ac.uk/id/eprint/18575/ Galt, Rosalind (2010) The functionary of mankind: Michael Haneke and Europe. In: Price, Brian and Rhodes, John David (eds.) On Michael Haneke. Wayne State University Press, Detroit, pp. 221-244. ISBN 9780814334058 Mon, 06 Feb 2012 18:45:30 +0000 http://sro.sussex.ac.uk/id/eprint/18170/ http://sro.sussex.ac.uk/id/eprint/18170/ Galt, Rosalind (2010) Perverse aesthetics: Maria Beatty, masochism and the cinematic. World Picture, 4. ISSN 1938-1700