http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png http://sro.sussex.ac.uk/ Mon, 20 Nov 2023 20:44:16 +0000 Mon, 20 Nov 2023 20:44:16 +0000 en Fri, 28 Apr 2023 09:53:30 +0100 http://sro.sussex.ac.uk/id/eprint/112058/ http://sro.sussex.ac.uk/id/eprint/112058/ Austin, Thomas (2023) Horse-people and white voices: neoliberalism and race in Sorry to Bother You. Senses of Cinema (105). ISSN 1443-4059 Wed, 26 Apr 2023 08:06:28 +0100 http://sro.sussex.ac.uk/id/eprint/112004/ http://sro.sussex.ac.uk/id/eprint/112004/ Austin, Thomas (2023) Black and white in colour: looking across race in Spike Lee’s Clockers and Summer of Sam. The New Review of Film and Television Studies. ISSN 1740-0309 (Accepted) Thu, 13 Apr 2023 16:27:14 +0100 http://sro.sussex.ac.uk/id/eprint/111708/ http://sro.sussex.ac.uk/id/eprint/111708/ Austin, Thomas (2023) Concerning violence: Fanon, Africa and temporality. Journal of Scandinavian Cinema. ISSN 2042-7905 Tue, 30 Aug 2022 12:58:02 +0100 http://sro.sussex.ac.uk/id/eprint/107611/ http://sro.sussex.ac.uk/id/eprint/107611/ Austin, Thomas (2022) Bigger than life, or stranger: Pedro Costa’s Vitalina Varela : Part III. Senses of Cinema, 102. ISSN 1443-4059 Mon, 06 Jun 2022 11:11:05 +0100 http://sro.sussex.ac.uk/id/eprint/106237/ http://sro.sussex.ac.uk/id/eprint/106237/ Austin, Thomas (2022) Bigger than life, or stranger: Pedro Costa's Vitalina Varela part II. Senses of Cinema, 101. ISSN 1443-4059 Tue, 04 Jan 2022 11:34:03 +0000 http://sro.sussex.ac.uk/id/eprint/103568/ http://sro.sussex.ac.uk/id/eprint/103568/ Austin, Thomas (2022) Bigger than life, or stranger: Pedro Costa’s Vitalina Varela. Senses of Cinema (100). ISSN 1443-4059 Thu, 07 Oct 2021 08:11:36 +0100 http://sro.sussex.ac.uk/id/eprint/102157/ http://sro.sussex.ac.uk/id/eprint/102157/ Austin, Thomas (2020) 'Situating a non-conformist auteur' [Review] N. B. Jorge (2020) ReFocus: the films of Pedro Costa: producing and consuming contemporary art cinema. Journal of Science and Technology of the Arts, 12 (2). pp. 116-120. ISSN 1646-9798 Mon, 04 Oct 2021 07:25:45 +0100 http://sro.sussex.ac.uk/id/eprint/102074/ http://sro.sussex.ac.uk/id/eprint/102074/ Austin, Thomas (2021) Sunset (Napszállta) and the politics of the period film. Studies in European Cinema. ISSN 1741-1548 Wed, 05 May 2021 07:08:20 +0100 http://sro.sussex.ac.uk/id/eprint/98824/ http://sro.sussex.ac.uk/id/eprint/98824/ Austin, Thomas (2021) Boy with flag and Black British experience in Akomfrah's Handsworth songs and McQueen's Red, white and blue. Senses of Cinema (98). ISSN 1443-4059 Wed, 17 Feb 2021 08:20:32 +0000 http://sro.sussex.ac.uk/id/eprint/97188/ http://sro.sussex.ac.uk/id/eprint/97188/ Austin, Thomas (2020) Miserable journeys, symbolic rescues: refugees and migrants in the cinema of Fortress Europe. In: Austin, Thomas and Koutsourakis, Angelos (eds.) Cinema of crisis: film and contemporary Europe. Edinburgh University Press, Edinburgh. ISBN 9781474448505 Tue, 17 Sep 2019 10:34:19 +0100 http://sro.sussex.ac.uk/id/eprint/86202/ http://sro.sussex.ac.uk/id/eprint/86202/ Austin, Thomas (2021) Crime scenes: landscape, memory and atrocity in Jorge Barbi’s El Final, Aquí. Photography and Culture. ISSN 1751-4517 Wed, 03 Apr 2019 14:51:55 +0100 http://sro.sussex.ac.uk/id/eprint/82976/ http://sro.sussex.ac.uk/id/eprint/82976/ Austin, Thomas (2018) Introduction. In: Austin, Thomas (ed.) The films of Aki Kaurismaki: ludic engagements. Bloomsbury Academic., New York. ISBN 9781501325380 Wed, 03 Apr 2019 13:31:24 +0100 http://sro.sussex.ac.uk/id/eprint/82958/ http://sro.sussex.ac.uk/id/eprint/82958/ Austin, Thomas (2019) Benefaction, processing, exclusion: documentary representations of refugees and migrants in Fortress Europe. Studies in European Cinema, 16 (3). pp. 250-265. ISSN 2040-0594 Mon, 25 Mar 2019 10:29:39 +0000 http://sro.sussex.ac.uk/id/eprint/82703/ http://sro.sussex.ac.uk/id/eprint/82703/ Austin, Thomas (2019) Unmasked: notes on Joan de la Malla’s ‘The Sad Clown’. Photography and Culture. ISSN 1751-4517 Tue, 04 Sep 2018 08:55:41 +0100 http://sro.sussex.ac.uk/id/eprint/78482/ http://sro.sussex.ac.uk/id/eprint/78482/ Austin, Thomas (2018) Temporality in Kaurismaki: anachronism, alluision, tableau. In: Austin, Thomas (ed.) The films of Aki Kaurismaki: ludic engagements. Bloomsbury Academic, New York, pp. 17-39. ISBN 9781501325410 Fri, 03 Aug 2018 14:15:36 +0100 http://sro.sussex.ac.uk/id/eprint/77506/ http://sro.sussex.ac.uk/id/eprint/77506/ Austin, Thomas, ed. (2018) The films of Aki Kaurismäki: ludic engagements. Bloomsbury Academic, New York. ISBN 9781501325410 Thu, 05 Apr 2018 12:16:59 +0100 http://sro.sussex.ac.uk/id/eprint/74808/ http://sro.sussex.ac.uk/id/eprint/74808/ Austin, Thomas (2018) “A democracy of images” John Gianvito in conversation. Senses of Cinema (86). ISSN 1443-4059 Fri, 23 Jun 2017 10:48:12 +0100 http://sro.sussex.ac.uk/id/eprint/68798/ http://sro.sussex.ac.uk/id/eprint/68798/ Austin, Thomas (2017) In the cells of Fortress Europe: an interview with Marianna Economou, director of The Longest Run. Senses of Cinema, 83. Mon, 03 Oct 2016 14:18:25 +0100 http://sro.sussex.ac.uk/id/eprint/63765/ http://sro.sussex.ac.uk/id/eprint/63765/ Austin, Thomas (2016) Interiority, identity and the limits of knowledge in documentary film. Screen, 57 (4). pp. 414-430. ISSN 0036-9543 Tue, 12 Jul 2016 10:32:45 +0100 http://sro.sussex.ac.uk/id/eprint/61981/ http://sro.sussex.ac.uk/id/eprint/61981/ Austin, Thomas (2016) Temporal vertigo: an interview with John Akomfrah. Senses of Cinema, 79. ISSN 1443-4059 Tue, 28 Jun 2016 14:46:43 +0100 http://sro.sussex.ac.uk/id/eprint/61760/ http://sro.sussex.ac.uk/id/eprint/61760/ Austin, Thomas (2016) Spectral cinema from a phantom state: film aesthetics and the politics of identity in Divided Heaven and Solo Sunny. Studies in Eastern European Cinema, 7 (3). pp. 274-286. ISSN 2040-350X Wed, 02 Jul 2014 12:34:16 +0100 http://sro.sussex.ac.uk/id/eprint/49184/ http://sro.sussex.ac.uk/id/eprint/49184/ Austin, Thomas (2014) Indexicality and inter/textuality: 24 City's aesthetics and the politics of memory. Screen, 55 (2). pp. 256-266. ISSN 0036-9543 Thu, 26 Sep 2013 08:16:47 +0100 http://sro.sussex.ac.uk/id/eprint/46455/ http://sro.sussex.ac.uk/id/eprint/46455/ Austin, Thomas (2012) The mists of time: control, chaos and irreversibility in The Fog of War. Studies in Documentary Film, 6 (1). pp. 29-42. ISSN 1750-3280 Mon, 06 Feb 2012 21:14:37 +0000 http://sro.sussex.ac.uk/id/eprint/30426/ http://sro.sussex.ac.uk/id/eprint/30426/ Austin, Thomas (2002) 'Gone with the wind plus fangs': genre, taste and distinction in the assembly, marketing and reception of Bram Stoker's Dracula. In: Neale, S (ed.) Genre and contemporary Hollywood. British Film Institute, London. ISBN 9780851708874 Mon, 06 Feb 2012 21:06:46 +0000 http://sro.sussex.ac.uk/id/eprint/29555/ http://sro.sussex.ac.uk/id/eprint/29555/ Austin, Thomas and Barker, M, eds. (2003) Contemporary Hollywood Stardom. Arnold. ISBN 9780340809372 Mon, 06 Feb 2012 21:04:45 +0000 http://sro.sussex.ac.uk/id/eprint/29393/ http://sro.sussex.ac.uk/id/eprint/29393/ Austin, Thomas and de Jong, Wilma, eds. (2008) Rethinking Documentary : new perspectives,new practices. Open University Press. ISBN 9780335221912 Mon, 06 Feb 2012 20:57:59 +0000 http://sro.sussex.ac.uk/id/eprint/28875/ http://sro.sussex.ac.uk/id/eprint/28875/ Austin, Thomas (2000) From Antz to Titanic: reinventing film analysis. Pluto Press, London. ISBN 9780745315843 Mon, 06 Feb 2012 20:51:35 +0000 http://sro.sussex.ac.uk/id/eprint/28470/ http://sro.sussex.ac.uk/id/eprint/28470/ Austin, Thomas (1999) 'Gone with the wind' plus fangs: the assembly, marketing and reception of Bram Stoker's 'Dracula'. Framework, 41. pp. 37-53. ISSN 0306-7661 Mon, 06 Feb 2012 20:24:25 +0000 http://sro.sussex.ac.uk/id/eprint/25776/ http://sro.sussex.ac.uk/id/eprint/25776/ Austin, Thomas (2003) Men in suits: costume, performance and masculinity in the Batman films. In: Austin, Thomas and Barker, M (eds.) Contemporary Hollywood Stardom. Arnold, London, pp. 135-150. ISBN 9780340809372 Mon, 06 Feb 2012 20:14:52 +0000 http://sro.sussex.ac.uk/id/eprint/24928/ http://sro.sussex.ac.uk/id/eprint/24928/ Austin, Thomas (2011) 'Standard Operating Procedure', 'the mystery of photography' and the politics of pity. Screen, 52 (3). pp. 342-357. ISSN 0036-9543 Mon, 06 Feb 2012 20:06:17 +0000 http://sro.sussex.ac.uk/id/eprint/24044/ http://sro.sussex.ac.uk/id/eprint/24044/ Austin, Thomas (1999) Desperate to see it: straight men watching Basic Instinct. In: Stokes, M and Maltby, R (eds.) Identifying Hollywood's audiences. British Film Institute, London, 149 - 163. ISBN 9780851707389 Mon, 06 Feb 2012 19:56:29 +0000 http://sro.sussex.ac.uk/id/eprint/23086/ http://sro.sussex.ac.uk/id/eprint/23086/ Austin, Thomas (2007) Watching the world: screen documentary and audiences. Manchester University Press, Manchester. ISBN 9780719076893 Mon, 06 Feb 2012 19:50:29 +0000 http://sro.sussex.ac.uk/id/eprint/22459/ http://sro.sussex.ac.uk/id/eprint/22459/ Austin, Thomas (2009) [Review] Janet Wasko (2003) How Hollywood works. Journal in Media Practice, 10 (1). p. 91. ISSN 1468-2753 Mon, 06 Feb 2012 19:48:43 +0000 http://sro.sussex.ac.uk/id/eprint/22296/ http://sro.sussex.ac.uk/id/eprint/22296/ Austin, Thomas (2005) Seeing, feeling, knowing: a case study of audience perspectives on screen documentary. Participations, 2 (1). ISSN 1749-8716 Mon, 06 Feb 2012 19:44:10 +0000 http://sro.sussex.ac.uk/id/eprint/21971/ http://sro.sussex.ac.uk/id/eprint/21971/ Austin, Thomas (2008) '...to leave the confinements of his humanness': Authorial voice, death and constructions of nature in Werner Herzog's 'Grizzly Man'. In: Austin, Thomas and de Jong, Wilma (eds.) Rethinking documentary: new perspectives, new practices. Open University Press, Maidenhead, pp. 51-66. ISBN 9780335221912 Mon, 06 Feb 2012 19:43:51 +0000 http://sro.sussex.ac.uk/id/eprint/21932/ http://sro.sussex.ac.uk/id/eprint/21932/ Austin, Thomas (2006) 'A NEVER-ENDING FLASHBACK': time, space and narrative in Anne McGuire's 'Strain Andromeda The'. New Review of Film and Television Studies, 4 (2). pp. 131-146. ISSN 1740-0309 Mon, 06 Feb 2012 19:34:08 +0000 http://sro.sussex.ac.uk/id/eprint/21302/ http://sro.sussex.ac.uk/id/eprint/21302/ de Jong, Wilma and Austin, Thomas (2008) You want to know that, this is real, this is what happened: an interview with John Smithson. In: Austin, Thomas and de Jong, Wilma (eds.) Rethinking documentary: new perspectives, new practices. Open University Press. ISBN 9780335221912 Mon, 06 Feb 2012 19:25:56 +0000 http://sro.sussex.ac.uk/id/eprint/20538/ http://sro.sussex.ac.uk/id/eprint/20538/ Austin, Thomas (2007) 'Gone with the wind plus fangs': genre, taste and distinction in the assembly, marketing and reception of Bram Stoker's Dracula. In: Grainge, P, Jancovich, M and Monteith, S (eds.) Film histories: an introduction and reader. Edinburgh University Press, Edinburgh. ISBN 9780748619061 Mon, 06 Feb 2012 19:21:52 +0000 http://sro.sussex.ac.uk/id/eprint/20262/ http://sro.sussex.ac.uk/id/eprint/20262/ Austin, Thomas (2011) Figures in a landscape: work and beauty in 'Sleep furiously'. New Review of Film and Television Studies, 9 (3). pp. 376-389. ISSN 1740-0309 Mon, 06 Feb 2012 19:06:34 +0000 http://sro.sussex.ac.uk/id/eprint/19274/ http://sro.sussex.ac.uk/id/eprint/19274/ Austin, Thomas (1999) Gendered (dis)pleasures: 'Basic Instinct' and female viewers. In: Journal of Popular British Cinema. Flick Books, pp. 4-22. ISBN 9781862360174 Mon, 06 Feb 2012 18:55:15 +0000 http://sro.sussex.ac.uk/id/eprint/18924/ http://sro.sussex.ac.uk/id/eprint/18924/ Austin, Thomas (2000) [Review] Steve Neale and Murray Smith, ed. (1998) Contemporary Hollywood cinema. Scope. ISSN 1465-9166 Mon, 06 Feb 2012 18:54:57 +0000 http://sro.sussex.ac.uk/id/eprint/18902/ http://sro.sussex.ac.uk/id/eprint/18902/ Barker, Martin and Austin, Thomas (2000) A Very Deep Impact. In: From Antz to Titanic: reinventing film analysis. Pluto Press, 155 - 173. ISBN 9780745315799 Mon, 06 Feb 2012 18:32:36 +0000 http://sro.sussex.ac.uk/id/eprint/17034/ http://sro.sussex.ac.uk/id/eprint/17034/ Austin, Thomas and de Jong, Wilma, eds. (2008) Rethinking documentary: new perspectives and practices. Open University Press, Buckingham. ISBN 9780335221912 Mon, 06 Feb 2012 18:16:23 +0000 http://sro.sussex.ac.uk/id/eprint/15534/ http://sro.sussex.ac.uk/id/eprint/15534/ Austin, Thomas (2010) Damaged bodies in documentary: 'Black Sun' and 'Murderball'. Studies in Documentary Film, 4 (1). pp. 51-64. ISSN 1750-3280 Mon, 06 Feb 2012 18:12:06 +0000 http://sro.sussex.ac.uk/id/eprint/15188/ http://sro.sussex.ac.uk/id/eprint/15188/ Austin, Thomas (2002) Hollywood, hype and audiences: selling and watching popular film in the 1990s. Manchester University Press, Manchester ; New York. ISBN 9780719057755