http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png http://sro.sussex.ac.uk/ Mon, 27 Nov 2023 11:17:46 +0000 Mon, 27 Nov 2023 11:17:46 +0000 en Tue, 18 Aug 2020 06:47:44 +0100 http://sro.sussex.ac.uk/id/eprint/93133/ http://sro.sussex.ac.uk/id/eprint/93133/ Brown, Christopher (2010) The world as it could be: Így jöttem (My Way Home), directed by Miklós Jancsó, 1965. One + One Filmmakers Journal, 1 (4). pp. 28-33. Mon, 17 Aug 2020 07:46:37 +0100 http://sro.sussex.ac.uk/id/eprint/93091/ http://sro.sussex.ac.uk/id/eprint/93091/ Brown, Christopher (2020) ‘By introducing my culture to someone else, I learnt to understand it again somehow’: an interview with filmmaker Laha Mebow. East Asian Journal of Popular Culture, 6 (2). pp. 293-303. ISSN 2051-7084 Mon, 17 Aug 2020 06:58:04 +0100 http://sro.sussex.ac.uk/id/eprint/93092/ http://sro.sussex.ac.uk/id/eprint/93092/ Brown, Christopher (2020) Life cycles: an interview with director Bon An 安邦. Film International, 18 (4). pp. 132-139. ISSN 0345-3057 Tue, 19 Nov 2019 12:11:47 +0000 http://sro.sussex.ac.uk/id/eprint/84175/ http://sro.sussex.ac.uk/id/eprint/84175/ Brown, Christopher (2020) Installed in chalk: mapping screen performance in 'Coccolith' (2018). Performance Matters, 6 (1). pp. 86-104. ISSN 2369-2537 Tue, 29 Oct 2019 08:48:50 +0000 http://sro.sussex.ac.uk/id/eprint/87564/ http://sro.sussex.ac.uk/id/eprint/87564/ Brown, Christopher (2019) “This film is blessed by the gods”: talking with Mag Hsu, director of 'Dear Ex' (Netflix, 2018). Bright Lights Film Journal. ISSN 0147-4049 Mon, 05 Nov 2018 17:22:55 +0000 http://sro.sussex.ac.uk/id/eprint/79893/ http://sro.sussex.ac.uk/id/eprint/79893/ Brown, Christopher (2018) Coccolith. [Video] Tue, 02 Oct 2018 13:56:39 +0100 http://sro.sussex.ac.uk/id/eprint/79085/ http://sro.sussex.ac.uk/id/eprint/79085/ Brown, Christopher and Knight-Hill, Andrew (2018) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice and Education, 19 (3). pp. 313-325. ISSN 2574-1136 Wed, 12 Sep 2018 11:16:39 +0100 http://sro.sussex.ac.uk/id/eprint/78642/ http://sro.sussex.ac.uk/id/eprint/78642/ Brown, Christopher (2014) The pools of 'The Swimmer' (1968): exurbia, topography, decay. In: Brown, Christopher and Hirsch, Pam (eds.) The cinema of the swimming pool. New Studies in European Cinema . Peter Lang, pp. 89-100. ISBN 9783035398076 Fri, 07 Sep 2018 15:25:26 +0100 http://sro.sussex.ac.uk/id/eprint/78563/ http://sro.sussex.ac.uk/id/eprint/78563/ Brown, Christopher R (2012) Mad about the boy? Hollywood stardom and masculinity subverted in 'The Swimmer'. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208 Fri, 07 Sep 2018 15:21:19 +0100 http://sro.sussex.ac.uk/id/eprint/78554/ http://sro.sussex.ac.uk/id/eprint/78554/ Brown, Christopher (2015) Remission. [Video] Fri, 07 Sep 2018 15:09:42 +0100 http://sro.sussex.ac.uk/id/eprint/78562/ http://sro.sussex.ac.uk/id/eprint/78562/ Brown, Christopher (2012) Homosexuality in 'Dog Day Afternoon' (1975): televisual surfaces and a 'natural' man. Film Criticism, 37 (1). pp. 35-54. ISSN 0163-5069 Fri, 07 Sep 2018 14:32:25 +0100 http://sro.sussex.ac.uk/id/eprint/78556/ http://sro.sussex.ac.uk/id/eprint/78556/ Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059 Fri, 07 Sep 2018 14:26:46 +0100 http://sro.sussex.ac.uk/id/eprint/78557/ http://sro.sussex.ac.uk/id/eprint/78557/ Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in 'Yang Yang' 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X Fri, 07 Sep 2018 13:25:12 +0100 http://sro.sussex.ac.uk/id/eprint/78555/ http://sro.sussex.ac.uk/id/eprint/78555/ Brown, Christopher (2015) Soap. [Video] Fri, 07 Sep 2018 12:59:23 +0100 http://sro.sussex.ac.uk/id/eprint/78559/ http://sro.sussex.ac.uk/id/eprint/78559/ Brown, Christopher and Hirsch, Pam, eds. (2014) The cinema of the swimming pool. New Studies in European Cinema . Peter Lang. ISBN 978-3-0353-9807-6