http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png http://sro.sussex.ac.uk/ Sun, 12 Nov 2023 18:31:30 +0000 Sun, 12 Nov 2023 18:31:30 +0000 en Fri, 20 Dec 2019 10:48:01 +0000 http://sro.sussex.ac.uk/id/eprint/88921/ http://sro.sussex.ac.uk/id/eprint/88921/ Fowler, Benjamin (2020) Re-scripting realism: Katie Mitchell and Thomas Ostermeier at the Schaubühne. In: Boenisch, Peter M (ed.) The Schaubühne under Thomas Ostermeier: Reinventing Directors' Theatre. Methuen Drama Engage . Methuen. ISBN 9781350165793 Fri, 20 Dec 2019 10:44:36 +0000 http://sro.sussex.ac.uk/id/eprint/88920/ http://sro.sussex.ac.uk/id/eprint/88920/ Fowler, Benjamin (2020) Dangerous border crossings: Nicolas Stemann's merchant in Munich. In: Kaplan, M Lindsay (ed.) The merchant of Venice: the state of play. Arden Shakespeare The State of Play . Bloomsbury. ISBN 9781350110229 Wed, 05 Jun 2019 10:57:21 +0100 http://sro.sussex.ac.uk/id/eprint/83359/ http://sro.sussex.ac.uk/id/eprint/83359/ Fowler, Benjamin (2020) The meaning of peeling paint (notes on a Mitchell mise-en-scène). Contemporary Theatre Review, 30 (2). pp. 151-167. ISSN 1048-6801 Wed, 01 Aug 2018 14:14:58 +0100 http://sro.sussex.ac.uk/id/eprint/77459/ http://sro.sussex.ac.uk/id/eprint/77459/ Fowler, Benjamin, ed. (2018) The theatre of Katie Mitchell. 4x45 . Routledge, London. ISBN 9781138600058 Tue, 27 Mar 2018 10:00:32 +0100 http://sro.sussex.ac.uk/id/eprint/74662/ http://sro.sussex.ac.uk/id/eprint/74662/ Fowler, Benjamin and Eales, Alex (2017) Immersive worlds: Designing Katie Mitchell's theatre | Alex Eales in conversation with Benjamin Fowler. [Video] Tue, 12 Jul 2016 14:49:11 +0100 http://sro.sussex.ac.uk/id/eprint/61992/ http://sro.sussex.ac.uk/id/eprint/61992/ Fowler, Benjamin (2013) Hamlet performed at Schaubühne am Lehniner Platz. Shakespeare Bulletin, 31 (4). pp. 737-745. ISSN 0748-2558 Tue, 12 Jul 2016 14:28:07 +0100 http://sro.sussex.ac.uk/id/eprint/61991/ http://sro.sussex.ac.uk/id/eprint/61991/ Fowler, Benjamin (2017) (Re)mediating the modernist novel: Katie Mitchell's live cinema work. In: Reilly, Kara (ed.) Contemporary approaches to adaptation. Palgrave Macmillan, Basingstoke, pp. 97-119. ISBN 9781137597823 Tue, 12 Jul 2016 14:16:07 +0100 http://sro.sussex.ac.uk/id/eprint/61989/ http://sro.sussex.ac.uk/id/eprint/61989/ Fowler, Benjamin (2016) 'Draining the English Channel': The European Revolution in three kingdoms & three keynotes (by Simon Stephens, David Lan & Edward Bond). Contemporary Theatre Review, 26 (3). pp. 328-336. ISSN 1048-6801 Tue, 12 Jul 2016 13:50:28 +0100 http://sro.sussex.ac.uk/id/eprint/61986/ http://sro.sussex.ac.uk/id/eprint/61986/ Fowler, Benjamin (2014) Culture clash: what the Wooster Group revealed about the RSC (and British theatre hegemony) in Troilus & Cressida. Shakespeare Bulletin, 32 (2). pp. 207-233. ISSN 0748-2558