File(s) not publicly available
Performing evolution: immersion, unfolding, and Lucille Hadzihalilovic’s Innocence
chapter
posted on 2023-06-09, 01:53 authored by Matilda MrozThis chapter draws on the philosophical writing of Henri Bergson and Elizabeth Grosz, amongst others, in order to suggest ways in which the idea of duration can help to navigate slowness in cinema. In relation to Innocence specifically, the chapter identifies a dynamic oscillation between different visions of temporality: one that is imposed by the educational system, which sees change as the movement from one state of development to another, and the operation of duration as a ceaseless unfolding of multiple temporal rhythms, which belies attempts to measure and control it. The chapter extends the notion of duration as infinitely graduated changes to the viewing process itself, arguing that the slow unfolding of scenes, moments and images in Innocence allows for a continual modulation between interpretative and sensory impulses.
History
Publication status
- Published
Publisher
Edinburgh University PressPages
352.0Book title
Slow CinemaISBN
9780748696048Series
Traditions in World CinemaDepartment affiliated with
- Media and Film Publications
Full text available
- No
Peer reviewed?
- Yes
Editors
Tiago de Luca, Nuno JorgeLegacy Posted Date
2016-06-27Usage metrics
Categories
No categories selectedLicence
Exports
RefWorks
BibTeX
Ref. manager
Endnote
DataCite
NLM
DC