'Transcending Quotation': Cross-cultural Musical Representation in Mauricio Kagel's Die Stücke der Windrose für Salonorchester

Heile, Bjorn (2004) 'Transcending Quotation': Cross-cultural Musical Representation in Mauricio Kagel's Die Stücke der Windrose für Salonorchester. Music Analysis, 23 (1). pp. 57-85. ISSN 0262-5245

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Abstract

Although this article is about a work that is also covered in my monograph, the focus here is on theoretical and methodological issues, namely the analysis and criticism of cross-cultural musical representation. In response to the relevant literature, notably the work of Georgina Born, I have developed an analytical approach to and a typology of cross-cultural musical representation based on the thought of Mikhail Bakhtin and Edward Said.

Item Type: Article
Schools and Departments: School of Media, Film and Music > Music
Depositing User: Bjorn Heile
Date Deposited: 06 Feb 2012 20:45
Last Modified: 24 Jul 2012 13:07
URI: http://sro.sussex.ac.uk/id/eprint/27882
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