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Darmstadt as Other: British and American Responses to Musical Modernism
journal contribution
posted on 2023-06-08, 05:49 authored by Bjorn HeileThere is currently a backlash against modernism in English-language music studies. While this vogue of ‘modernism bashing’ is ostensibly based on progressive ideologies, it is dependent on a one-sided perception of musical modernism which it shares with earlier conservative disparagements. Of central importance in this respect is the ‘othering’ of musical modernism as an essentially continental European phenomenon in the ‘Anglosphere’, where it is consistently suspected of being a ‘foreign import’ – by conservative commentators in the first part of the twentieth century, just as by their ‘new-musicological’ successors at the turn of the twenty-first.
History
Publication status
- Published
Journal
twentieth-century musicISSN
1478-5722Publisher
Cambridge University PressExternal DOI
Issue
2Volume
1Page range
161-78Pages
18.0Department affiliated with
- Music Publications
Full text available
- No
Peer reviewed?
- Yes
Legacy Posted Date
2012-02-06Usage metrics
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