File(s) not publicly available
Here comes nobody: a dramaturgical exploration of Luciano Berio's Outis
journal contribution
posted on 2023-06-07, 21:46 authored by David Osmond-SmithThis study, intended as a seventy-fifth birthday tribute for Luciano Berio, examines the dramaturgy of his most radical theatrical work, Outis (1995–6). To a greater extent than any of his previous operatic works, Outis dispenses with linear narrative. Instead, it constructs an associative network of images – visual, verbal and musical – upon a cyclic frame. A recurrent source for these images is the story of Odysseus/Ulysses, the wanderer, and the many different texts that stem from that tradition. These include Ulysses by James Joyce – whose work has long been a source of inspiration for Berio. This essay suggests, however, that it is rather the techniques and aspirations of Joyce’s Finnegan’s Wake that provide the most telling analogue for what Berio here seeks to achieve.
History
Publication status
- Published
Journal
Cambridge Opera JournalExternal DOI
Issue
2Volume
12Page range
163-178Department affiliated with
- Music Publications
Full text available
- No
Peer reviewed?
- Yes
Legacy Posted Date
2012-02-06Usage metrics
Categories
No categories selectedKeywords
Licence
Exports
RefWorks
BibTeX
Ref. manager
Endnote
DataCite
NLM
DC