Thornton, Chris (2009) Self-redundancy in Music. In: Dagstuhl Seminar on Computational Creativity 2009.

Full text not available from this repository.

Abstract

Where a structural analysis can be produced for a musical artefact, variants of the artefact can often be obtained by `inverting' the analysis, in much the same way we produce novel sentences from a grammar. The paper describes use of information theory for purposes of deriving structural analyses of sequences, and shows how the method can be used with musical data, for purposes of generating novel musical patterns.

Item Type:	Conference or Workshop Item (Paper)
Schools and Departments:	School of Engineering and Informatics > Informatics
Depositing User:	Chris Thornton
Date Deposited:	06 Feb 2012 18:37
Last Modified:	31 May 2012 11:23
URI:	http://sro.sussex.ac.uk/id/eprint/17417

📧 Request an update