O'Riordan.pdf (335.69 kB)
Human cloning in film: horror, ambivalence, hope
Fictional filmic representations of human cloning have shifted in relation to the 1997 announcement of the birth of Dolly the cloned sheep, and since therapeutic human cloning became a scientific practice in the early twentieth century. The operation and detail of these shifts can be seen through an analysis of the films The Island (2005) and Aeon Flux (2005). These films provide a site for the examination of how these changes in human cloning from fiction to practice, and from horror to hope, have been represented and imagined, and how these distinctions have operated visually in fiction, and in relation to genre.
History
Publication status
- Published
File Version
- Published version
Journal
Science as CultureISSN
0950-5431Publisher
Taylor & FrancisExternal DOI
Issue
2Volume
17Page range
145-162Department affiliated with
- Media and Film Publications
Full text available
- Yes
Peer reviewed?
- Yes
Legacy Posted Date
2008-07-28First Open Access (FOA) Date
2016-03-22First Compliant Deposit (FCD) Date
2016-11-03Usage metrics
Categories
No categories selectedKeywords
Licence
Exports
RefWorks
BibTeX
Ref. manager
Endnote
DataCite
NLM
DC